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words by ben stephens
It’s the early 1950’s, New York is the background and the advertising industry is about to boom.
Young Andrew Warhola (his real last name), has just finished university in Pittsburgh and has moved to the big apple to take a role at a magazine as an illustrator.
A post shared by AGNSW Director in Sydney (@michaelbrandsydney) on
At this point, Warhol was pumping out pieces of advertising for washing detergents and other less interesting items for the household. Rather nauseating stuff, though it was the process and the amount of time he would spend with each piece that separated him from the rest.
You see, Ando was an early innovator and used silkscreen printing, mixed with his signature blot style. As the record industry began to take hold with the uptake of vinyl, RCA Records hired Warhola to design album covers and promo pieces for artists.
This work of Andy’s rarely sees the light of day; usually blocked by tins of Campbell’s soup and Marilyn’s reproduced face. But thankfully the team at Art Gallery NSW and The Andy Warhol Museum have joined forces to bring the Adman: Warhol Before Pop exhibition to Sydney.
Showing off the early years of Warhol, the exhibition shines a light on his short but creative advertising career. Adman includes over 300 pieces of work by the original hipster, from photographs to recreated store window displays.
Running until May 28, all tickets are dated and timed to keep the exhibition flowing, so be sure to book in advance to avoid disappointment. Grab those HERE.
In conjunction with Sydney’s LGBTQI Mardi Gras festival, there will be a Queer Thinking symposium: Queer Warhol. Looking at how Warhol and his work helped shape the art work coming from the queer community today.
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